Two days after the presidential election, I was in the city—my emotional touchstone. All day long I had done my walking meditation, hobbling in new (but sturdy) shoes, from Grand Central to the Upper East Side, through Central Park and over to Riverside Drive. I sometimes forgot that this was a new world. A lunch date with a friend I had reconnected with after a thirty-year hiatus had us lamenting the “good old bad old days” in Hell’s Kitchen. With what we’d been through in our lives, we could deal with this looming apocalypse, right?
Darkness fell, and I continued down upper Broadway past the Trump Tower on Columbus Circle that replaced the Gulf & Western Building (which housed an underground movie theater in 1970, where I first saw Midnight Cowboy). Finally, heading down Eight Avenue somewhere in the 40s, I realized I was desperately seeking comfort, looking for familiar landmarks to pin me to a map in my head (and heart) that went back over forty years.
Entire blocks are now eviscerated. Blarney Stones have yielded to video game streetscapes, a Trump-visioned hell. I didn’t expect such physical disorientation that had me second- and third-guessing my sanity as I tried to locate a cross street sign. Passing the neon reminder that Smith’s Bar still existed, I briefly considered ducking into the neighborhood hangout that I had never hung out in. Spiffed up by new owners, it teemed with pre-theater goers—something that definitely was not part of the Runyonesque clientele that reflected the neighborhood back in 1972. I wasn’t looking for a yuppified Times Square institution. I was looking for a place that felt timeless. All I wanted was something even peripherally from my past, that predated Disney’s porn-ification of Times Square.
Swinging a left onto a stretch of 44th Street layered like a pastrami sandwich with tourists lined up for their 7 p.m. curtain times, I saw the sign.
In 1971, when I lived within spitting distance of the legendary landmark
—famous for its celebrity caricatures and frequented by Broadway stars and theater critics—
I was too intimidated to enter. Now I was ready. I was fastening my seat belt for a bumpy four years.
With my modest monthly allowance, I somehow managed to see almost every play that came to life within the neon trapezoid that encompassed the theater district. Balcony seats in 1971 cost $7, yet I had another, still more frugal ploy. I would arrive at intermission break, mingle with the crowd outside, then enter with them for the second act. Making my way up to the rear balcony, I discreetly nestled on the aisle steps, unreported by the paying seat holders and unnoticed by the usherettes in their prim white collars and black cardigans. By now their flashlights were off and they were clustered in the ladies’ lounge puffing on cigarettes or catching up on gossip. By now, they were far too jaded to the magic happening on stage.
Fri. Sept. 17th, 1971
Dear D____ ,
It’s now 11:30, & Penny & I just got back from a walk around town. First we had ice cream at Howard Johnson’s, where we’re pretty good friends with this guy that works at the counter. He always gives us extra and 1/2 off. Then we felt so full we had to walk around (it was dark) & it was really nice—everyone dressed up to go to the theatre. But we decided to walk through the lobbies of the big hotels. First the Taft (to go to the bathroom), then the NY Hilton. We glanced in the Kismet Room at the Hilton, & these guys (def. between 25-60) invited us in & we said we didn’t have any money but they said they’d buy, so they were smashed & we had 2 sloe gin fizzes a piece, plus the musician came by to play the accordian & sing. They spent $3 on each of us & invited us to see Englebert Humperdink right up the street, but we declined & got out. Then we hit the Warwick, the Park Lane (Central Park South—very ritzy) & the Plaza—just hitting the newsstands & gawking at the classy lobbies. Then we went past Thursday’s, a night-clubbish bar/restaurant for “young singles,” & ended up talking to the doorman who wanted Penny’s number. It was about 10:15, so we headed home. . . . Did I tell you about the Hare Krishna guy who got us in his apartment? — Hell’s Kitchen and Couture Dreams
copyright Sharon Watts
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